It has arguably one of the better animations from Chinese films, gorgeous cinematography and intriguing occult mystery premise, yet the plot is thin and superficial. Limited engagement.This movie is a prime example on how a few good individual parts alone can't make a great movie. ***ħ2 minutes shot with IMAX 70mm cameras. 20 minutes of footage, encompassing most of the finale, presented in a 1.78:1 aspect ratio. For 70mm 15-perf prints, the aspect ratio was exclusively framed at 1.66:1.*** Aspect ratio opened up to 1.90:1 for the entire film on digital IMAX prints. 6 minute preview of The Amazing Spider-Man attached. For IMAX 70mm prints, the film was split into 2 parts due to platter size limits, with the first part running approximately 108 minutes and the second part running approximately 87 minutes with a 15-minute intermission in between. Aspect ratio opened up to 1.78:1 for the entire film. Selected territories only.**ģD conversion. Preceded by the short subject Daffy's Rhapsody. Aspect ratio opened up to 1.90:1 for the entire film. Six-minute preview of The Dark Knight Rises attached to 70mm prints. **Ģ5 minutes shot with IMAX 70mm cameras. Preceded by the short subject I Tawt I Taw a Puddy Tat.*** The Adventures of Tintin: The Secret of the Unicorn Harry Potter and the Deathly Hallows – Part 2 Half of the film was shot in 2D, then converted to 3D in post-production. Preceded by the short subject Hawaiian Vacation. International version released in 35mm only, under the title Beginning of the Great Revival. Pirates of the Caribbean: On Stranger Tides 43 minutes printed with a 1.78:1 aspect ratio. Harry Potter and the Deathly Hallows – Part 1ģD converted version eventually released direct to video due to time constraints.*** Preceded by the short subject Fur of Flying.*** Legend of the Guardians: The Owls of Ga'Hoole The longest single-platter 70mm DMR film to date.*** Preceded by the short subject Day & Night. Originally 2D 12-minute opening converted to 3D. About half a minute of footage exclusive to the IMAX version. Night at the Museum: Battle of the SmithsonianĪbout nine minutes filmed with IMAX 70mm cameras. ***Ĭlosing credits changed to slide format and one closing credits song omitted to reduce running time.*** Jonas Brothers: The 3D Concert Experience Preceded by 6-minute preview of The Dark Knight.*įirst mainstream release in IMAX Digital.***Īspect ratio cropped to 1.43:1 for IMAX 70mm prints.***įirst mainstream feature to be partially shot with IMAX 70mm cameras, with 28 minutes of footage. Re-release with 2 minutes of additional scenes. Originally 2D, 20-minute finale converted to 3D. Harry Potter and the Order of the Phoenix End credits sped up to fit the film to the IMAX platters.* Screened with no end credits in some theatres with older IMAX equipment which had platter size limits.*Ģ0 minutes converted to 3D. Aspect ratio cropped to 2.00:1 for the entire film. First worldwide DMR release.*įirst 3D DMR film. Closing credits changed to slide format due to platter size limits.*įirst day-and-date DMR film. 22 minutes shorter than the 35mm version due to older IMAX equipment having platter size limits. Star Wars: Episode II – Attack of the Clones 24 minutes shorter than the 35mm version due to older IMAX equipment having platter size limits. (**+) = Released in both IMAX Digital and IMAX with Laser. (***) = Released in both IMAX Digital and IMAX 70mm. This list includes the films which have been released in IMAX theaters.
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